My recent work surveys rough terrains and unexplored voids - representing “the wild” - in conjunction with mathematically precise, human-made conduits.  These painted works incorporate marks achieved through traditional and technical drawing processes, as reference to the science of planning and engineering.  The natural world is likewise articulated through reference to reacting/interacting living organisms and their habitats. The experimental process and contemplation behind these paintings is linked to an ongoing personal curiosity about the ever-changing relationship between humans and organisms situated in a world of flux.